Portfolio by Project

Home in the Wind on a Wing and a Prayer (2024)

Strawberry Blonde (2023)

Poppet and Pop (2022-2023)

Good Grief (2023)

Climate Change (How Convenient) (2022-2023)

Faces in the Clouds (2021-2022)

Faulty_RAM (2021-2022)

Birth of Pegasus (2020-2022

Game Over (Simulation) (2019)

(Houston) Swimming Pools, Office Towers, and NASA (2019)

Poppet and Pop (2023) is a daughter-daddy exhibition about responding to each other, sharing mark-making gestures and materials, communicating across our different life experiences, and collaboratively creating artworks in the micro-moments of parenthood and domestic life.

Good Grief

These works are a representation of the physical effects of grief and joy.

Climate Change (How Convenient)

Stay tuned!

In Faces in the Clouds (2021-2022), I piece together images of my lost loved ones to reflect on death and sentimental yearnings for an irrecoverable condition.

The Faulty_RAM series illustrates an inaccurate rendering of a simulation in the process of repair.

In the Birth of Pegasus series (2021-2022), I reimagine Greek mythology to highlight the relationship between classical depictions of women, environmental crises, and cultural recognition of shared imagery.

This project is about grief and nostalgia in a playful attempt to ease my anxiety around death and acceptance of loss while reminiscing on past expereinces.

In (Houston) Swimming Pools, Office Towers and NASA (2019), I combine J.G Ballard’s cityscapes with images of empty swimming pools, downtown Houston, and NASA taken following a funeral.

Art Riot (2015-2016) was a performance followed by a graduate teaching assistant publication and an exhibition, to which I contributed as an artist and practice-led researcher

Plasticity (2013) is a video artwork that combines my footage of Singapore with text taken from Catherine Malabou, Mark Fisher and Milton Friedman.

This series of work started when I moved to Los Angeles and developed a fascination with visualising the writings of J.G Ballard, which continued for a few years after I moved to London.

Terror in Reproduction (2011) combines the phantasmic illusion of media, criticised by Jean Baudrillard, with the duality of representation in Jasper John and the muted exasperation of Jim Dine, to create visual representations from moments in the 2010’s war on terror.

Stay tuned!

In Oil, Soap, and Water (2010), I used Fairy washing-up soap to clean spilt canola oil floating atop water, encased in small spheres, resembling the BP logo, and responding to the Deep Horizon oil spill ( 20 Apr 2010 – 19 Sept 2010).

In TEXT prints (2009-2022), I have cut and pasted text from one form of media into another, capturing the occasional glitches that occur moving between mediums.

Animal Prints

Animal Prints (2018-2021) started as a random collection with animals and a unify element throughout. These have a more direct relationship to my home life than what the images initially suggest.